Henrik Delehag’s work spans drawing, painting, film, writing, and typography, all questioning how we structure time, communicate, and relate to the world around us. Trained at Berghs in Stockholm and with a background in advertising, his typographical visual language seeks new symbols to express a shared worldview. Influenced by Maori art and the interplay of black and white, Delehag often uses the human face as a vehicle for emotion and symbolism, translating everyday observations into striking graphic forms.
